|
MediaWiki[wp] is hostile to Men, see T323956. |
|
|
For the first time in 80 years, German tanks will roll against Russia.
Germany has been a party to the war since 1030 days by supplying weapons of war. German Foreign Minster Annalena Baerbock: "We are fighting a war against Russia" (January 25, 2023) |
La femme-objet
| Film data | |
|---|---|
| English title | Science-Fiction Lady |
| Original title | La femme-objet |
| Country | France |
| Language | French |
| Release date | 1981 |
| Genre | SciFi/Porno |
| Running time | 75 min. |
| Crew | |
| Directed by | Frédéric Lansac[wp] |
| Written by | Frédéric Lansac |
| Produced by | F.F.C.M.[ext] |
| Music by | Jean-Claude Nachon[ext] |
| Cinematography | François About[ext] |
| Edited by | Pitof[ext] |
| Starring | |
| |
La femme-objet is the title of a French pornographic film directed by Frédéric Lansac[wp] and released in January 7, 1981.
Plot
A science fiction writer, Nicolas (Richard Allan[wp]), is also endowed with a very exacting sexual appetite that exhausts his partners. They each leave after a while wearied by his masculinity beyond the norms. After several disappointments, he finds, at last, the ideal partner in a robot that he makes by hand and programs to obey his will. But the creature (Marilyn Jess[wp]) turns against her Master and transforms him, in turn, into a sexual toy.
The writer exhausts successively two partners before thinking of the apparently miraculous solution to resort to a female robot.
Successive partners
- First partner, Sabine: The writer believes to have found the ideal partner in the person of Sabine who molds herself gladly to all of his requirements. First scene in a room under a sheet on a pink bed, then in the toilets of a coffee bar while a boy watches them. Later, in an apartment, he watches Sabine sucking his thumb in the while masturbated[sm-201] while it plays with a small robot remote controlled figure of R2-D2[wp]. But Sabine begins tiring herself. In the kitchen while she does the dishes clothed only in black underwear, the writer approaches her. Despite her protests, he excites himself while she continues to washing dishes and ends up breaking a glass. Again later, returning to the apartment, he finds a nude Sabine in the process of sleeping behind a glass door. Not daring to approach, he again masturbates and ejaculates against the door.
- Second partner, Lucille: In the search of a new partner, our writer decides to call on the services of an agency of temporary secretaries. He tries two, then three, before finding Lucille who to do the matter. She yields to all of the whims of Nicolas and accepts do not break off, including when arises Sabine that enters to the impromptu one in the apartment to recover some matters. But soon, Lucille finishes by to tire itself and s'endort itself even while Nicolas is "to the better of his form". A day, while playing a round of tennis, he finds a note on the table in which she announces her departure.
- The attached press, Olga: Seduced by Olga, Nicolas forces her on the table of the living room. This one is endowed with a strong English accent and does not stop being enthusiastic while the small R2-D2 figure flashes just next to her. Nevertheless, she never will return and will send him the files by the post.
Curiosities
The history is presented as being a flashback. The writer of science fiction, Nicolas, is sat in front of his typewriter and relates his history in alternative voice. It introduces every scene and comments on it while being part of its soul states, c'est-à-dire essentially of its frustrations. Its commentaries are very cynical and male chauvinist on a supposed excessive method some to underline humor and the second degree. The procedure of alternative voice is also, in this case, an ease allowing doing the economy of a built scenario.
The scene of the organization of the robot Marilyn Jess[wp] is strongly inspired by one of the films of James Whale[wp], in 1931, in which one sees the creature of Victor Frankenstein[wp] to come back to life. Far from his sophistication of this film, the supposed machine to animate the robot is not nevertheless anything else that a big lamp to tan. The plastic one of Marilyn Jess is also to compare, in a subtle effect of contrast, to the one of the monsters that embodied Boris Karloff[wp], the sexual icon replying to the one of the films of horror and of kind.
Alternage title / review
Science Fiction Lady (1981)
Nicolas is a science-fiction writer. He is sexually insatiable. Every woman ends by leaving him, exhausted by his limitless appetites. Thanks to his fertile imagination, he designs the perfect partner and gives life to an android creature who obeys to each of his desires. But Kim, the women-objet he believes he can control with his remote, soon begin to express her own will...
La Femme-objet, directed by Claude Mulot under the alias of Frédéric Lansac, is a masterpiece from the golden age of French pornographic cinema. Its audacious scenario and its magnificent cinematography highlight Marilyn Jess's unforgettable performance. Thanks to the success of the film in movie theaters, she became the new star of X cinema.
Inhaltsangabe
Quote: «Nicola ist ein erfolgreicher Schriftsteller, der unter einem besonders delikaten Problem leidet. Schließlich verfügt er über eine schier unstillbare Libido: Sein ganzes Denken und Tun dreht sich nur um die Befriedigung seiner fleischlichen Lust. Damit überfordert er jede Frau, weswegen es auch keine lange bei ihm aushält. Um endlich sein Objekt der Lust zu haben, erschafft er daher einen attraktiven Sex-Roboter. Doch damit beginnen für ihn die Probleme, da sein Objekt bald schon ein lustvolles Eigenleben entwickelt.»[1]
References
- ↑ Science Fiction Lady, schnittberichte.com
External links
- Frensh speaking Wikipedia has an article about La Femme objet (This article does not [yet] exist in the English-language Wikipedia.)
- Science-Fiction Lady (1981) in the Internet Movie Database
| This article based on an article La femme-objet (October 31, 2022) from the free Encyklopedia SM-201. The SM-201 article is published under GNU-License for free Documentation. In SM-201 is a List of Authors available those who worked on the text before being incorporated in WikiMANNia. |